Developing characters

You’re taking a drive out to the country. Whom do you want to ride with you?

Call up some of your favorite people and have them go along for the drive.

Make it an enjoyable journey, not just a destination. The same is true with the

characters in your film. Make them interesting enough that the reader will

want to go with them on a ride, no matter what the destination is. Make them

good company! Give your characters personality.

 Your characters should be real and well rounded outside the scope of your

screenplay as well. Does the audience care about these characters? The audi￾ence can then see them as no one else in the story sees them — their true

selves are revealed by what they do when they’re alone. Follow them around

in your head and see what they do.

 Follow the Law of Threes. If you want to establish a developing relationship in

your story, you need at least three situations where your characters interact.

If a relationship builds too fast, your audience will think it’s contrived (too

convenient). A great example of the Law of Threes is the three brief encoun￾ters between Elliott and E.T. in E.T. the Extra-Terrestrial before they befriend

each other. First, Elliott hears something in the shed; then Elliott goes to the

forest; and, finally, Elliott sits outside on a lawn chair in front of the shed

and is approached by E.T. This gradual lead-up to their bond makes it more

acceptable, believable, and effective for the audience