Gathering light on accessories

In addition to all the complex, technical lighting tools detailed in the preced￾ing sections, you also need to think about a few low-cost, simple accessories

that are a necessity on the set.

 An expendable refers to an element that can be used up and replaced. Light

bulbs (halogen, fluorescent, incandescent) eventually burn out, break, or just

plain don’t work. They are expendable and have to be replaced. Tape, glue,

batteries, and even gels (which eventually fade, melt, or wear out) fall into the

expendable category, as well.

  Clamps and clothespins: You use clamps and clothespins to hold diffu￾sion cloths or scrims over your lights, as well as to clamp things to your

C-stands. Clothespins can be helpful to clip light things together, attach

or hang props, and so on. Your local hardware store has a variety of

grips and clamps in all shapes and sizes.

  C-stands and lighting stands: C-stands can be lifesavers. You can adjust

these stands to varying heights, as well as adjust the extended folding

arm post into many positions for holding flags, cookies, scenic backdrops

(see Chapter 17), or props. Light stands are adjustable in height and usu￾ally have three extended legs that spread out to help balance the weight

of the light securely so it doesn’t topple over.

  Sandbags: Sandbags may not seem important — after all, they just lie

there like a lump and don’t look very impressive. But when you have

unbalanced light stands and other pieces of equipment tipping over, you

may wonder how you ever survived without them. A sandbag is simply

a filmmaker’s paperweight. A standard sandbag weighs about 15 pounds

and resembles a saddlebag.

 You can rent sandbags, buy them for about a dollar a pound, or make

your own. To make your own, fill empty plastic sandbags (you can find

these at most hardware stores for under $1 each) with play sand (you

can buy 50 pounds for around $4).

  Gaffer’s tapes: Your gaffer works closely with you or your cinematog￾rapher to perfect the lighting of your scenes (see Chapter 7 for details

on the gaffer’s job). Included in the gaffer’s arsenal of tapes are masking

tape, Scotch tape, double-sided tape, and spray-on glue.

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