Depending on the size of your budget, there are other positions that you may

need to fill. On a low-budget production, many of the following could be you

or someone filling one of the positions mentioned earlier in this chapter:

  Casting director: This person breaks down the script and suggests

actors suitable for each role. The casting director looks at submitted

headshots and resumes and selects actors to come in to audition. Often,

in a low-budget production, the filmmaker is also the casting director.

  Location scout: The location scout breaks down all the locations in the

script and finds the actual locations to shoot the movie. The filmmaker

can also be the location scout. I’ve driven around town many times look￾ing for the perfect place to shoot.

  Transportation person: This person is solely dedicated to driving the

crew and cast around from hotel to set or parking area to set. If it’s a

small production, everyone usually drives his or her own car, or some￾times you have another crew member pick you up, and you carpool!

  Production designer: A production designer designs the overall look of

a film. Although some films (for example, Batman, where a whole world

had to be created from scratch) depend on a production designer, most

small-budget films don’t have the luxury of having one.

  Stunt coordinator: This person is skilled to either perform stunts him￾or herself or coordinates with others who are trained stunt people. If

your film includes stunts, don’t try to save money here. Always hire a

professional stunt person who is skilled in even the most basic of stunts.

Try to avoid stunts on a low-budget film; they can be expensive and

risky and raise your insurance package.

  Postproduction coordinator: The postproduction coordinator coordi￾nates the completion of the film, schedules when the picture editing and

sound elements are to be done, and sets a finishing date for the final

production so distribution plans can begin. On a low-budget film, having

a dedicated postproduction coordinator is a luxury. Usually, the film￾maker performs these tasks.

  Still photographer: You need to think ahead and hire an on-set still pho￾tographer to take photos that can be used for publicity and eventually in

the artwork on the DVD. Distributors (Chapter 19), request production

stills to use in posters and in one-sheets, also called sales-sheets, which

are flyers advertising your film. You also need photos for film festivals

and newspaper and magazine articles.

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